Benjamin's concept of the constellation (Konstellation) is developed in the "Epistemo-Critical Prologue" to "The Origin of German Tragic Drama" and throughout his work. A constellation is an arrangement of ideas in which meaning emerges from the configuration rather than from a linear argument — like stars forming a
pattern across the void of
space, elements that are distant and heterogeneous illuminate each other through their relative positions. Benjamin contrasts the constellation with the system: philosophical truth cannot be captured in systematic
deduction but must be approached through the patient arrangement of particulars. His "Arcades Project" is itself a massive constellation of quotations and fragments. For poets, the constellation offers a model of meaning-making that is non-linear, non-hierarchical, and open to revision — meaning as pattern rather than proposition. Related terms: Benjamin, Adorno's negative dialectics, montage, fragment, juxtaposition, the dialectical
image.