A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Creamware

Ceramics
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

Creamware is a lightweight English earthenware with a creamy glaze, developed in the 18th century as an affordable alternative to porcelain.

Detailed Definition
In the category of ceramics, creamware revolutionized tableware with its elegant simplicity and durability, widely adopted in Georgian homes. Poets reference creamware to symbolize emerging middle-class comfort, neoclassical restraint, and the democratization of fine goods. These pieces appear in verse exploring social change, domestic routine, and the quiet dignity of everyday objects. Creamware provides a subtle backdrop for literary meditations on progress, class, and the poetry inherent in functional beauty, grounding abstract reflections in tangible household ceramics.
Example
Example in poetry:
Creamware — the refined, cream-coloured earthenware perfected by Wedgwood and adopted across Europe — appears in poems about the democratisation of the table: affordable elegance for the rising middle class; Wedgwood called his creamware "Queensware" after Queen Charlotte's patronage — a name that gave ordinary pottery a royal dimension, suitable for poems about aspiration; A poem about an eighteenth-century kitchen might describe creamware's clean lines as a kind of prose after the ornate poetry of earlier delftware: "plain, pale, and honest — the new taste, the new century"; In a poem about manufacture, creamware's success stands for the power of good design meeting industrial production: "he made the beautiful affordable, and the table was never the same"; Creamware's neutral colour — warm rather than stark — gives it a domestic humanity that white porcelain lacks, and poets of the everyday might prefer it for that reason; A poem about an archaeological dig might turn a creamware shard: "no painter's marks, no factory stamp — just the pale body, the simple glaze, and the fact of having been used."
Additional Notes
Creamware was developed in Staffordshire in the 1760s, most famously by Josiah Wedgwood, who christened it "Queen's Ware" after Queen Charlotte expressed admiration for it in 1765. Its lightweight body, stable glaze, and pleasing ivory tone made it an ideal middle-class alternative to imported Delftware and Chinese porcelain. Creamware was produced across Britain and Europe in enormous quantities and transformed the domestic table by making refined ceramics widely affordable. In literary contexts, creamware is less glamorous than porcelain but deeply embedded in everyday Georgian life — the stuff of farmhouse kitchens and modest drawing rooms, as well as grand dining tables.
Also Known As
Queen's ware
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