Disremembering

Black American
Pronunciation

Understanding ARPABET Pronunciation

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The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

Disremembering refers to the forced, strategic, or culturally imposed forgetting of traumatic history, a process that African American poets both resist and examine as a survival mechanism and a form of historical violence.

Detailed Definition
The term, related to but distinct from Toni Morrison's concept of rememory, captures the ways in which both individuals and communities manage unbearable historical knowledge by partially suppressing it. In poetry, disremembering appears as the gaps in family history, the stories not told, the names not passed down, the archives destroyed. Poets who work against disremembering are engaged in an act of historical recovery that is also emotional and psychic work. Related to countermemory, enslavement memory, rememory, grief work, and historical erasure.
Example
Example in poetry:
A poet exploring disremembering might write about the deliberate suppression of specific family stories about slavery, the decision of post-emancipation generations to protect their children from knowledge they felt was too painful to carry, and the cost of that protective forgetting; Toni Morrison's concept of "rememory" is the creative counterpart to disremembering, the insistence that suppressed memories continue to exert pressure on the present even when consciously forgotten, a dynamic that poets can explore through unexpected eruptions of historical imagery into contemporary scenes; A student poet might write about discovering a family photograph or document that reveals a history that was never spoken of, exploring the complex emotions of recovering what was deliberately forgotten and the question of whether disremembering was an act of survival or a form of self-harm; Lucille Clifton's genealogical poems work against disremembering by insisting on naming and acknowledging ancestral experiences that surviving generations might prefer not to examine; A poet might write about disremembering as a community practice, exploring how an entire neighborhood's history of racial violence was collectively suppressed for decades and what consequences that communal forgetting produced; The formal technique of erasure poetry can itself enact disremembering by demonstrating how the removal of words from a text changes its meaning, making visible the process by which official documents and histories have suppressed inconvenient truths
Additional Notes
Disremembering in Black American poetry names the forced strategic or culturally imposed forgetting of traumatic history a process that poets actively resist through acts of remembrance and testimony; usage tips for students connect it to historical erasure cultural memory and ghost narrative illustrating how verse serves as counter-memory work to restore erased narratives and confront the psychological costs of enforced amnesia.
Also Known As
Strategic forgetting Imposed amnesia Traumatic erasure
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