dost

Archaic Terms
Pronunciation

Understanding ARPABET Pronunciation

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The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

The second-person singular present tense of "do," used with "thou" in questions and statements, as in "What dost thou want?" meaning "What do you want?"

Detailed Definition
“Dost” is the Early Modern English conjugation of “do” for “thou,” essential for questions and emphasis in poetic and dramatic dialogue. It appears throughout Shakespeare and devotional verse to maintain grammatical authenticity and rhythmic precision. Its use signals intimate or urgent address, and its obsolescence now marks it as a hallmark of elevated or period diction in literary contexts.
Example
Example in poetry:
Why dost thou weep, my child? (do you, second person singular); Dost thou remember when we met in spring? (auxiliary verb with thou); How dost thou fare in these troubled times? (asking about wellbeing); What dost thou seek in this dark wood? (what are you seeking); Dost thou not hear the nightingale's sweet song? (auxiliary in question); Where dost thou wander at this late hour? (where do you go)
Additional Notes
Dost is the second-person singular present tense of "do" used with "thou." The conjugation goes: I do, thou dost, he/she/it doth, we/you/they do. Students must master this for reading Early Modern English poetry and drama. "Dost" appears constantly in Shakespeare, the King James Bible, and Renaissance poetry. Pronunciation: "dost" rhymes with "host," not "cost." In questions, inversion occurs: "Dost thou know?" In negations: "Thou dost not know" or "Dost thou not know?" Understanding dost is essential for scanning meter in Renaissance poetry, as it provides rhythmic variation. By the 18th century, "thou/thee/thy" forms were disappearing from standard English, surviving mainly in religious contexts and poetry.
Also Known As
doest do does doth
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