A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Enosh

Biblical
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

Son of Seth and grandson of Adam, during whose time people began to call on the Lord

Detailed Definition
Enos (or Enosh) marks a spiritual turning point in Genesis 4:26, initiating formal worship. His name means “mortal” or “frail.” In poetry, Enos represents the dawn of conscious devotion, humanity’s recognition of dependence on God, and the birth of prayer as a response to existential vulnerability.
Example
Example in poetry:
In John Milton’s "Paradise Lost," Enosh (variant of Enos) is part of the genealogical line emphasizing human frailty; In George Herbert’s "The Temple," Enosh’s name (“mortal”) underscores human dependence; In Elizabeth Barrett Browning’s "The Seraphim," Enosh symbolizes the first to acknowledge human limitation before God; In John Keble’s "Lyra Innocentium," Enosh represents the humble ancestor; In Christina Rossetti’s devotional verse, Enosh’s mortality contrasts with divine eternity; In T.S. Eliot’s "Ash-Wednesday," Enosh’s frailty echoes in modern spiritual exhaustion.

In John Milton’s "Paradise Lost," Enos (Genesis 4:26) marks the beginning of calling on the Lord’s name; In George Herbert’s "The Temple," Enos symbolizes the first true worshipper; In Elizabeth Barrett Browning’s "The Drama of Exile," Enos represents the dawn of conscious prayer; In John Keble’s "The Christian Year," Enos’s name evokes the human cry for divine presence; In Christina Rossetti’s "Advent," Enos’s invocation prefigures liturgical longing; In T.S. Eliot’s "Four Quartets," Enos’s era marks the threshold of spiritual language.
Additional Notes
Enosh: See ID 13073; standard Hebrew form of the name meaning “mankind” or “frailty”; appears in Genesis 4:26 as the time when worship began. In poetry, Enosh is a potent symbol of human vulnerability and the birth of liturgical consciousness. His name is used in Psalms (e.g., Psalm 8:4) to contrast human weakness with divine majesty. Ideal for poems on mortality, the origins of devotion, or the paradox of finite beings seeking the infinite.

Enos: Variant spelling of Enosh (see ID 12900); son of Seth, grandfather of Enoch (Genesis 4:26). In poetry, Enos/Enosh represents the dawn of formal worship (“then people began to call on the name of the Lord”) and the fragility of human life (name means “mortal” or “frail”). Useful in meditations on the origins of prayer, human limitation, or the genealogical bridge between Eden and the flood. Avoid conflating with later figures—focus on his role in primeval spiritual awakening.
Also Known As
Enosh son of Seth Enos Enos son of Seth
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