The farthingale is one of the most dramatically sculptural garments in European
fashion, and its appearance in poetry immediately evokes the Tudor and Elizabethan courts. Made of whalebone, wood, or cane hoops sewn into a stiffened fabric, it supported the heavy skirts of the period, requiring the wearer to move with a rolling, stately gait. Poets use the farthingale to emphasize
female grandeur and the artificiality of court life—the enormous width of the garment can symbolize the expansive demands of
royalty, or conversely, the isolation of
a woman within her own clothes. Its unwieldy nature also provides comic opportunities, as ladies struggle through doorways or are knocked over by a gust of wind. In contrast to the farthingale's rigidity, poets sometimes juxtapose it with natural, flowing forms, critiquing the excesses of fashion. Related terms include hoop skirt and crinoline. Students should note the farthingale's specific historical association with the Tudor period and its role in poems about courtly life and female constraint.