"Fleeching" is a wonderfully specific Scots term that describes the art of coaxing, wheedling, or flattering someone to win their favour, often in romantic or manipulative contexts. The word carries a sly, insinuating quality, suggesting that the speaker is deploying charm and
persuasion in a calculated way. In Elliot's "
A Lament for Flodden," the absence of "fleeching" at fairs and preachings signals that even the most subtle, intimate forms of persuasion have
vanished along with the young men. The term is particularly common in
courtship poetry, where a young man might "fleeche" a lass to win her
affection, using flattery and gentle pleading. For students, understanding "fleeching" involves recognising its slightly negative connotations—it implies a certain cunning or artifice, unlike the more straightforward "
wooing." The word's soft 'ch' sound and double vowel give it a slippery, insinuating quality that matches its meaning. In teaching, contrasting "fleeching" with "wooing" can illuminate how Scots vocabulary often distinguishes between different shades of romantic
pursuit. The word appears in
Burns's work and in various folk
songs, often in comic contexts where the speaker's flattery is exposed as somewhat ridiculous. Its presence in Elliot's lament adds a layer of specificity to the catalogue of losses, showing that even the subtle arts of persuasion have been silenced by grief.