Four-foot Bacchic

Meter
Pronunciation

Understanding ARPABET Pronunciation

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The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A tetrameter line composed of four Bacchic feet (short-long-long) in progression

Detailed Definition
Four-foot Bacchic is a metrical line consisting of four Bacchic feet (each: two stressed syllables + one unstressed), producing a heavy, driving rhythm that is uncommon in English but effective for incantatory or dramatic intensity; the accumulation of four such units creates a pounding, ritualistic cadence often associated with ecstasy, war, or divine invocation.
Example
Example in poetry:
Ben Jonson’s “Drink to Me Only with Thine Eyes” uses a four-foot Bacchic (stressed-unstressed-unstressed) in modified form; In Thomas Hardy’s “The Convergence of the Twain,” Bacchic rhythms mimic ship’s motion: “In a solitude of the sea”; Contemporary poet A.E. Stallings adapts Bacchic meter in “Sestina: Like” for comic emphasis; Ezra Pound’s “Canto I” echoes Homeric Bacchic rhythms in English hexameter approximations; W.B. Yeats occasionally employs Bacchic feet for incantatory effect in “The Second Coming”; In Robert Graves’ “To Juan at the Winter Solstice,” Bacchic undertones support mythic tone.
Additional Notes
A Four-foot Bacchic line is a rare and heavy metrical line composed of four Bacchic feet, where a Bacchic foot is typically ⌣–– (unstressed-stressed-stressed); this classical meter is known for its slow, dignified pace.
Also Known As
Bacchic of four feet quadrate Bacchiac Bacchic rhythm line Bacchiac tetrameter Bacchic tetrameter line
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