The gilt mirror — its frame of carved and gilded wood reflecting the candlelit interior of a Georgian or Regency room — appears in poems about vanity, self-knowledge, and the duplicity of beautiful surfaces; Pope's
Belinda at her dressing table is attended by a gilt mirror — the frame as elaborate as
the reflection, both equally artificial;
A poem about a great
house might describe the gilt mirror in the entrance hall as the first test a
visitor faces: "to enter was to see yourself as the house saw you — framed, diminished, reflected back as ornament"; In a poem about ageing, the gilt mirror becomes
an irony: "the frame grows no older, the gilding no duller — only the face it holds changes, year by year"; The convex gilt mirror of the Regency period — a "bull's eye" mirror — distorts the room into a spherical world, giving poets an
image of compression and distortion; Keats's rich, sensory interiors might include a gilt mirror: "the frame of cherubs and acanthus leaves, the glass holding the whole room like a
secret."