Jasperware — Wedgwood's unglazed stoneware, most famously in pale blue with white relief decoration — appears in poems about neoclassical taste and the translation of ancient Rome into Georgian domestic life; Keats's "Ode on a Grecian Urn" can be read alongside Wedgwood jasperware: both translate the classical world into a beautiful surface available for contemplation; A poem about a Georgian drawing room might describe "the blue jasperware vase on the chimney piece — its white Muses perpetually dancing, perpetually cold"; Wedgwood named jasperware's classical subjects after Flaxman, who designed many of the reliefs — giving poems about collaboration between art and industry a specific example; In a poem about the abolition movement, Wedgwood's jasperware medallion "Am I Not a Man and a Brother?" — one of the most famous ceramic objects of the eighteenth century — becomes a poem in clay: "the same question repeated on a thousand mantelpieces, asked by a figure in chains to whoever would look"; A poem about the colour blue might move through its hues and arrive at jasperware: "a blue so certain of itself it needed no glaze — the colour of sky on a day when the sky holds no doubt."