A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

After the death of my mother, the work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given.

My wife and I are simplifying our days. The server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit the quieter life we want.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Long-long-short-short

Meter
Pronunciation

Understanding ARPABET Pronunciation

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The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A metrical foot consisting of two long syllables followed by two short ones, characteristic of the Greater Ionic meter

Detailed Definition
Long-long-short-short (— — ∪ ∪) is the metrical pattern of the Greater Ionic foot in classical prosody, used in Greek and Latin lyric poetry to create a stately, flowing rhythm; this sequence contributes to the grandeur of choral odes and elevated thematic treatments in ancient verse forms.
Example
Example in poetry:
The metrical sequence “— — ∪ ∪” defining the Greater Ionic foot; found in choral sections of Greek tragedy; used in Latin hymns for rhythmic variation; reconstructed in Pindar’s odes for solemn passages
Additional Notes
Long-long-short-short: A metrical pattern (— — ∪ ∪) corresponding to the Greater Ionic foot; foundational in certain classical Greek and Latin lyric forms.
Also Known As
Greater Ionic pattern — — ∪ ∪ sequence Ionic major rhythm Dispondee-anapest hybrid Ionic a maiore Major Ionic
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