In the line "La vie est un voyage, et le voyage est la vie," the word voyage
returns at the end of the line to close
the circle of
the comparison, creating an épanalepse that enacts formally the circular identity it asserts semantically;
Ronsard opens and closes a stanza with the same invocation of his
beloved's name, the épanalepse creating a frame of desire that contains and encloses the stanza's meditation
on beauty like arms surrounding a cherished object; "Partir, c'est mourir un peu; mourir, c'est partir pour toujours" uses épanalepse across a longer unit, the circular return of related words creating a meditation on departure and death that folds back on itself; A student practicing épanalepse should write lines in which the first and last words are identical, then examine what emotional and logical effects the circular structure creates compared to a version of the same line that opens and closes differently; The épanalepse is a
figure of insistence and obsession, its circular return suggesting a mind that cannot escape a central thought, making it particularly effective
in love poetry and in meditations on grief, where the return of the same word mirrors the return of the same pain; In classical rhetoric, the épanalepse was associated with passionate speech, with the orator or poet returning to a key word because no substitute can adequately replace it, the repetition itself enacting the inescapable centrality of the concept.