Phidias

Historical Figure
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

Phidias, the preeminent Athenian sculptor of the 5th century BCE, epitomized classical ideals of harmony, proportion, and divine grandeur in works like the Statue of Zeus at Olympia and the Parthenon friezes, influencing poetic depictions of beauty and artistic perfection in Renaissance and Neoclassical verse.

Detailed Definition
Phidias (c.480–430 BCE) created the Parthenon’s sculptures and the statue of Zeus at Olympia. In poetry, he epitomises artistic idealism, the striving for beauty that transcends time, and the sculptor as divine craftsman.
Example
Example in poetry:
Phidias: Phidias’ statue of Zeus at Olympia inspires poets to frame art as divine presence: “He carved the god not from the stone, / but from the awe that made it known.”; Poets borrow his mastery to describe artistic transcendence: “The eyes still gleam, the beard still flows— / though time has stolen all but those.”; His work becomes metaphor for enduring beauty: “They burned the temple, cracked the throne— / but still, his spirit stands alone.”; Phidias teaches poets that true art outlives empire: “He did not carve a king’s decree— / he carved the breath that makes us free.”; A poet might write, “He gave the gods a human face, / and made the mortal feel his grace.”; His legacy: “No temple stands, no gold remains— / but still, the awe, and still, the pains / of beauty, carved from dust and dream.”
Additional Notes
Phidias’ sculptures, especially the statue of Zeus at Olympia, embodied the Greek ideal of harmonious proportion and divine majesty; his art influenced poetic descriptions of beauty and order in Pindar and later neoclassical verse, where the human form becomes a vessel for transcendent ideals, linking sculpture to the poetic pursuit of perfection.
Also Known As
Phidias of Athens
Skip to main content