Rose
Medallion — the Chinese export porcelain decorated with alternating panels of figures and flowers, the rose being the dominant floral — appears in poems about the Victorian
enthusiasm for Chinese ceramics and the
drawing-room mantelpiece as a gallery;
A poem about a Victorian parlour might describe the Rose Medallion vase: "the panels of mandarins and their ladies alternating with panels of roses — the
two worlds of Qing China held in
rotation, neither quite touching the other"; Rose Medallion's warm palette — pink,
green, gold — suits poems about the domestic interior as a world of cultivated
pleasure; In a poem about a Chinese-American household, Rose Medallion china connects the American-born generation to a China they have not seen: "the
pattern on the plates was the only Chinese they knew by sight"; The repetitive, almost wallpaper-like quality of Rose Medallion decoration — its panels endlessly repeated — suits poems about the comfortable and the familiar; A poem about a
house clearance might describe the Rose Medallion service: "forty pieces, none
missing — the roses still fresh, the mandarins still dignified, a whole complete world packed into three boxes for the charity shop."