Send-off

Structure
Pronunciation

Understanding ARPABET Pronunciation

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The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A concluding stanza that formally dedicates the poem to a person, cause, or future reader, acting as a poetic envoy.

Detailed Definition
A final stanza that sends the poem forth to its recipient, addressing a patron, beloved, or honored figure and formally dispatching the work. Medieval and Renaissance convention of ending with dedicatory gesture that creates specific relationship between poem and addressee. The send-off combines dedication with farewell, acknowledging the poem as object sent from maker to receiver and establishing connection beyond general readership.
Example
Example in poetry:
Walt Whitman’s “So Long!” serves as a send-off to readers and his poetic persona; Emily Dickinson’s “Parting” (“Parting is all we know of heaven”) functions as a metaphysical send-off; Langston Hughes’ “Goodbye” (“Listen, baby, / I’m going away”) uses blues inflection as send-off; Seamus Heaney’s “Postscript” (“And some time make the time to drive out west…”) is a lyrical send-off to the reader; Ocean Vuong’s “Someday I’ll love Ocean Vuong” ends with “Ocean, run. Run until you’re wet with morning” — a self-directed send-off; Lucille Clifton’s “blessing the boats” concludes with “may you kiss / the wind and be on your way” — a ritualistic send-off.
Additional Notes
Final stanza sending poem forth to recipient. Medieval and Renaissance convention of dedicating or dispatching poem. Creates relationship between poem and specific addressee.
Also Known As
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