Baudrillard's theory of simulation. In poetry, it appears as a theme of hyperreality, where images and signs dominate our experience. Poets might write about copies, reproductions, or media-saturated worlds. This concept challenges poetry to find the authentic in a world of copies. It raises questions about artistic originality and truth in a postmodern context, where the distinction between real and image has collapsed.

Simulacrum is a central concept in Jean Baudrillard's postmodern theory of simulation. It is a copy without an original, or a representation that has become more real than the reality it claims to represent. In a world of simulation, signs and images proliferate endlessly, creating a "hyperreality" where the distinction between the real and the imaginary collapses. In poetry, the simulacrum appears as a theme of media saturation and the loss of authenticity. A poet might write about a celebrity, a theme park, or a political image that has become a copy of a copy, detached from any original. This concept challenges poetry to find a new way of speaking truth in a world where images have replaced reality.