A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



thresh

Archaic Terms
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

To separate grain from the husks and straw by beating; a fundamental step in the harvesting process.

Detailed Definition
Thresh comes from Old English "threscan," meaning to beat or trample, and describes the essential post-harvest operation of separating edible grain from its surrounding chaff and straw. In poetry the action of threshing serves as a powerful metaphor for processes of discernment, judgment, and purification—separating what is valuable from what is waste. Biblical poetry frequently employs threshing as an image of divine judgment, and this tradition carries through into English verse from the medieval period onward. The physical vigor of the act—the rhythmic flailing, the dust, the noise—also makes thresh an image of productive labor that can stand for creative or intellectual effort: the hard work that precedes refinement.
Example
Example in poetry:
The threshing floor in the Old Testament — the place where grain is beaten to separate it from its husks — is the setting for Boaz's meeting with Ruth, the central scene of the Book of Ruth's pastoral narrative; Piers Plowman uses the threshing floor as a theological image — the separation of grain from chaff as a figure for divine judgment, the righteous distinguished from the wicked by the same violent, rhythmic action that separates edible grain from useless husk; A poet might write "they threshed through September with the old flail, the rhythm of it filling the barn like a heartbeat, the chaff rising in gold clouds toward the light that fell through the door"; The mechanical threshing machine — the steam-powered "threshing machine" that replaced the hand-flail and generated intense social conflict in the early nineteenth century — appears in Hardy's work as a symbol of the industrialization of agriculture, the ancient rhythmic labor replaced by the impersonal violence of the machine; In creative work, thresh serves as a metaphor for the process of composition — the beating away of what is inessential, the violent separation of the poem's grain from the husk of first drafts and abandoned approaches; The dust and noise of threshing — the chaff filling the air, the rhythmic beat of the flail, the smell of grain and straw broken open — provide one of pastoral poetry's most vivid sensory images, the harvest's violence made audible and tangible.
Additional Notes
Thresh is important for students both as an agricultural operation and as a site of significant social history. The introduction of the mechanical threshing machine in the early nineteenth century — replacing the hand flail that had been the primary threshing tool for millennia — was one of the most socially disruptive technological changes in rural history. The Swing Riots of 1830-1831, during which agricultural laborers destroyed threshing machines across southern England, represent one of the largest rural uprisings in English history, and Thomas Hardy's novels engage extensively with the social tensions it created. Students studying nineteenth-century rural poetry should understand this context: the threshing machine in a poem is not merely a description of agricultural technology but a historically charged image of industrial transformation and working-class resistance. Hardy's "The Dorsetshire Labourer" and "Tess of the d'Urbervilles" provide the essential literary context. The hand flail — the original threshing tool, consisting of two rods joined by a short leather strap and swung to beat the grain — appears in earlier poetry as an image of rhythmic, communal labor, and students should be familiar with its operation and sound. Related terms: winnow, chaff, granary, garner, sheave.
Also Known As
thrash flail beat out tread out
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