'tis

Archaic Terms
Pronunciation

Understanding ARPABET Pronunciation

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The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A contraction of "it is" commonly found in Early Modern English poetry and drama, particularly Shakespeare's works, representing natural speech patterns of the era.

Detailed Definition
“’Tis” is a poetic contraction that streamlines language while preserving meter and rhythm in verse. It appears ubiquitously in Shakespearean drama and 17th-century poetry, where economy of syllables was essential for iambic pentameter and lyrical flow. Beyond practicality, “’tis” conveys a tone of immediacy and intimacy, often used in emotional declarations or philosophical reflections. Its archaic charm helps situate a poem in a historical or elevated register, distinguishing poetic diction from everyday speech. Even after falling out of common use, poets retained “’tis” for its musicality and nostalgic resonance.
Example
Example in poetry:
'Tis the season of mists and mellow fruitfulness (Keats-style usage showing contraction of "it is"); 'Tis better to have loved and lost than never to have loved at all (Tennyson's famous line); 'Tis now the very witching time of night (Shakespeare, showing temporal usage); 'Tis sweet to hear the watch-dog's honest bark (Byron, in domestic scene); 'Tis distance lends enchantment to the view (Campbell, philosophical reflection); 'Tis midnight's holy hour (poetic opening establishing time)
Additional Notes
'Tis appears frequently in poetry from Chaucer through the Romantic period, serving both metrical and stylistic purposes. In Early Modern English (roughly 1500-1700), contractions like 'tis were standard in both speech and formal writing, not casual shortcuts. Shakespeare uses it over 400 times across his works. When teaching meter, note that 'tis functions as a single syllable, making it invaluable for iambic pentameter. The apostrophe indicates elision of the "i" in "it." Related contractions include 'twas (it was), 'twill (it will), and 'twere (it were). Students should recognize that using 'tis in modern poetry creates an immediately archaic tone and should be deployed deliberately, not merely for syllable reduction.
Also Known As
tis it is
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