A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Trochaic-dactylic pattern

Meter
Pronunciation

Understanding ARPABET Pronunciation

Want to hear it? Click the Listen button to hear the browser speak the word using text-to-speech!

The pronunciation guide uses the ARPABET phonetic system—the same system used in speech recognition and text-to-speech applications.

Vowel Examples:
AE1 = cat, bat
EH1 = bed, head
IY1 = see, me
OW1 = go, boat
UW1 = boot, do
Stress Numbers:
0 = no stress (unstressed)
1 = primary stress (loud)
2 = secondary stress (medium)
Example:
AH0 TH IY1 N AH0
= a-THEE-na (Athena)

The stressed syllable (marked with 1) is pronounced louder and clearer than others.

Quick Definition

A metrical combination where trochaic and dactylic feet are arranged within lines

Detailed Definition
Trochaic-dactylic pattern is a hybrid metrical scheme alternating or combining trochaic feet (stressed-unstressed) and dactylic feet (stressed-unstressed-unstressed) within a single line or stanza to create rhythmic variety and expressive nuance; this mixed meter can evoke galloping urgency, ceremonial grandeur, or psychological instability, as seen in Longfellow’s “Song of Hiawatha” (predominantly trochaic) with dactylic inflections for mimetic effect.
Example
Example in poetry:
Trochaic-dactylic pattern appears in Whitman’s “Out of the Cradle Endlessly Rocking,” where “Out of the cradle” blends trochee and dactyl; in Hart Crane’s “The Bridge,” “How many dawns, chill from his rippling rest” mixes stresses for oceanic rhythm; in Sylvia Plath’s “Ariel,” “Stasis in darkness” begins with trochee followed by dactylic surge; contemporary poet Terrance Hayes uses trochaic-dactylic hybrids in “American Sonnet” to mirror speech cadence; Gerard Manley Hopkins’s sprung rhythm often fuses trochees and dactyls for muscular energy.
Additional Notes
Trochaic-dactylic pattern alternates falling feet (trochees and dactyls). Uncommon; creates complex cadence. Scan for stress clusters—often used for incantatory or dramatic effect, as in some hymns or chants.
Also Known As
Mixed meter Trochee–dactyl combination Rhythmic hybrid Trochaic-dactylic structure Falling meter
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