The Vorticist Movement (early 20th century British avant-garde) championed a stark, geometric aesthetic, celebrating the energy and dynamism of the machine age and the 'vortex' of modern life;
Ezra Pound's work, particularly his editing and theoretical writings, was close to Vorticist Movement ideals, advocating for clear, hard, and precise
imagery; Wyndham Lewis, the movement's main theorist, saw the 'Vortex' as a point of energy and stillness, which
a poet could capture by using violent, angular metaphors describing the city or industrial machinery;
A poem could use a fragmented, non-linear structure and typography to visually mimic the fragmented, fast-paced experience of modern industrial life, a core technique of the Vorticist Movement; The aesthetic often
rejected sentimentality and promoted a tough, masculine energy, which
could be embodied in a poem through the use of mechanical, almost dehumanized vocabulary and hard, sharp consonants; A poem might focus on the intersection of human and machine, using
the image of a 'rotating cog' or 'a steel blade' to symbolize artistic and industrial force, as envisioned by the Vorticist Movement.