The Lotus Temple in New Delhi, India, was completed in 1986 as a Bahá'í House of Worship. Designed by Iranian architect Fariborz Sahba, the temple's distinctive lotus-shaped structure is made of white marble and has become one of the most visited buildings in the world. The temple is notable for its universalist design, which welcomes people of all faiths to pray or meditate, reflecting the Bahá'í principle of the unity of religions.

The Lotus Temple has been celebrated in contemporary Indian poetry as a symbol of India's religious pluralism and the modern spirit of harmony among faiths. Its lotus shape, resonant with Hindu and Buddhist symbolism, has inspired poets who see it as a bridge between India's ancient spiritual traditions and the universalist vision of the Bahá'í faith, and its success as a pilgrimage site for people of all beliefs has been the subject of reflective and celebratory poems.