In 1964, Robert Moog commercialized the first modular synthesizer, offering musicians voltage-controlled electronic sound generation. Featured in albums and performances, it expanded sonic possibilities beyond traditional instruments. The Moog influenced electronic music, film scores, and experimental soundscapes intersecting with poetry readings.

The commercialization of the Moog synthesizer in 1964 expanded the boundaries of sound, influencing experimental poetry and performance art. Poets began to incorporate electronic elements into their works, reflecting the technological advancements of the era and challenging traditional forms.