A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



1150

Event dated 1150–1200

Rise of Galician-Portuguese Lyric Poetry

What happened

Galician-Portuguese lyric poetry emerged in the 12th century in northwestern Iberia, becoming the dominant language for troubadour-style poetry on the peninsula. Poets composed cantigas (songs) in three main genres: cantigas de amor (love songs), cantigas de amigo (female-voiced songs), and cantigas de escárnio e maldizer (satire and invective).

Literary impact

Galician-Portuguese lyric poetry adapted troubadour conventions to Iberian contexts, creating distinctive forms like the cantiga de amigo with its parallelism and refrains that may reflect pre-Romance oral traditions. This poetic tradition influenced later Portuguese and Spanish literature, while its preservation in cancioneiros (songbooks) provides invaluable evidence of medieval performance practices. The genre's female-voiced poems offer rare examples of women's perspectives in medieval lyric, whether composed by men or women.

Source: Wikipedia

Poets alive in 1150

1 poet

More events in 1150

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