Reconstruct the poem by dragging each line into its correct position. You can also use the up (↑) and down (↓) arrows to move a line one place at a time, or the top (⇑) and bottom (⇓) arrows to move a line directly to the top or bottom. Your goal is to reassemble the original poem as accurately as possible. As you move the lines, you'll see whether your arrangement is correct, helping you explore the poem's flow and meaning. You can also print out the jumbled poem to cut up and reassemble in the classroom. Either way, take your time, enjoy the process, and discover how the poet's words come together to create something truly beautiful.
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Some let me make you of the water’s speeches.
Behind a pot of ferns the wagging clock
The spider-tongued, and the loud hill of Wales)
Of chemic blood, warned of the coming fury.
With frosty fingers punishes my hair,
Breaks with the wormy winter through the eye.
By the sea’s side hear the dark-vowelled birds.
Caught by the crabbing sun I walk on fire
Some let me tell you of the raven’s sins.
(Some let me make you of autumnal spells,
Of many a thorny shire tell you notes,
My busy heart who shudders as she talks
By the sea’s side, hearing the noise of birds,
Especially when the October wind
And cast a shadow crab upon the land,
Some let me make you of the vowelled beeches,
Sheds the syllabic blood and drains her words.
Hearing the raven cough in winter sticks,
With fists of turnips punishes the land,
Of the star-gestured children in the park.
Some let me make you of the heartless words.
The wordy shapes of women, and the rows
Flies on the shafted disk, declaims the morning
On the horizon walking like the trees
Shut, too, in a tower of words, I mark
Tells me the hour’s word, the neural meaning
The signal grass that tells me all I know
And tells the windy weather in the cock.
Some let me make you of the meadow’s signs;
Some of the oaken voices, from the roots
The heart is drained that, spelling in the scurry
Especially when the October wind
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Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea’s side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words.
Shut, too, in a tower of words, I mark On the horizon walking like the trees The wordy shapes of women, and the rows Of the star-gestured children in the park. Some let me make you of the vowelled beeches, Some of the oaken voices, from the roots Of many a thorny shire tell you notes, Some let me make you of the water’s speeches.
Behind a pot of ferns the wagging clock Tells me the hour’s word, the neural meaning Flies on the shafted disk, declaims the morning And tells the windy weather in the cock. Some let me make you of the meadow’s signs; The signal grass that tells me all I know Breaks with the wormy winter through the eye. Some let me tell you of the raven’s sins.
Especially when the October wind (Some let me make you of autumnal spells, The spider-tongued, and the loud hill of Wales) With fists of turnips punishes the land, Some let me make you of the heartless words. The heart is drained that, spelling in the scurry Of chemic blood, warned of the coming fury. By the sea’s side hear the dark-vowelled birds.