Reconstruct the poem by dragging each line into its correct position. You can also use the up (↑) and down (↓) arrows to move a line one place at a time, or the top (⇑) and bottom (⇓) arrows to move a line directly to the top or bottom. Your goal is to reassemble the original poem as accurately as possible. As you move the lines, you'll see whether your arrangement is correct, helping you explore the poem's flow and meaning. You can also print out the jumbled poem to cut up and reassemble in the classroom. Either way, take your time, enjoy the process, and discover how the poet's words come together to create something truly beautiful.
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Does, in its pure and circling thoughts, express
Frames, as it can, its native element.
How loose and easy hence to go;
Of the clear fountain of eternal day,
White and entire, although congealed and chill;
Shines with a mournful light,
Shed from the bosom of the morn,
Dark beneath, but bright above,
Every way it turns away,
And to the skies exhales it back again.
And, in its little globe’s extent,
How it the purple flower does slight,
Into the glories of the almighty sun.
For the clear region where ’twas born,)
Moving but on a point below,
How girt and ready to ascend;
(Yet careless of its mansion new,
Round in itself incloses
Scarce touching where it lies;
Such did the manna’s sacred dew distil,
Like its own tear,
Because so long divided from the sphere.
Yet receiving in the day,
Could it within the human flower be seen,
Shuns the sweet leaves, and blossoms green,
Here disdaining, there in love.
Remembering still its former height,
The greater heaven in a heaven less.
Trembling, lest it grow impure;
Into the blowing roses,
So the world excluding round,
Congealed on earth; but does, dissolving, run
It all about does upwards bend.
But gazing back upon the skies,
Till the warm sun pities its pain,
And, recollecting its own light,
So the soul, that drop, that ray,
Restless it rolls, and unsecure,
See, how the orient dew,
In how coy a figure wound,
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See, how the orient dew, Shed from the bosom of the morn, Into the blowing roses, (Yet careless of its mansion new, For the clear region where ’twas born,) Round in itself incloses And, in its little globe’s extent, Frames, as it can, its native element. How it the purple flower does slight, Scarce touching where it lies; But gazing back upon the skies, Shines with a mournful light, Like its own tear, Because so long divided from the sphere. Restless it rolls, and unsecure, Trembling, lest it grow impure; Till the warm sun pities its pain, And to the skies exhales it back again. So the soul, that drop, that ray, Of the clear fountain of eternal day, Could it within the human flower be seen, Remembering still its former height, Shuns the sweet leaves, and blossoms green, And, recollecting its own light, Does, in its pure and circling thoughts, express The greater heaven in a heaven less. In how coy a figure wound, Every way it turns away, So the world excluding round, Yet receiving in the day, Dark beneath, but bright above, Here disdaining, there in love. How loose and easy hence to go; How girt and ready to ascend; Moving but on a point below, It all about does upwards bend. Such did the manna’s sacred dew distil, White and entire, although congealed and chill; Congealed on earth; but does, dissolving, run Into the glories of the almighty sun.