Come, let us go into the lane, love mine,
And mark and gather what the Autumn grows
The creamy elder mellowed into wine,
The russet hip that was the pink-white rose;
The amber woodbine into rubies turned,
The blackberry that was the bramble born;
Nor let the seeded clematis be spurned,
Nor pearls, that now are corals, of the thorn.
Look! what a lovely posy we have made
From the wild garden of the waning year.
So when, dear love, your summer is decayed,
Beauty more touching than is clustered here
Will linger in your life, and I shall cling
Closely as now, nor ask if it be Spring.
Alfred Austin’s An Answer is a deceptively simple lyric poem that marries the ephemeral beauty of nature with the enduring constancy of love. At first glance, it appears to be a conventional pastoral meditation on the seasonal transition from summer to autumn. Yet beneath its serene surface lies a profound meditation on time, decay, and the resilience of affection. This essay will explore the poem’s historical and cultural context, its rich literary devices, its central themes, and its emotional resonance, while also considering Austin’s place within the Victorian poetic tradition.
Alfred Austin (1835–1913) served as Britain’s Poet Laureate from 1896 until his death, a role he inherited after the death of Alfred, Lord Tennyson. His tenure was often met with mixed critical reception, as his work was seen as conventional compared to the innovations of his Romantic and Victorian predecessors. Nevertheless, An Answer exemplifies the late Victorian fascination with nature’s cycles as metaphors for human experience.
The poem emerges from a tradition of English nature poetry that stretches back to the Romantics—Wordsworth’s Ode: Intimations of Immortality and Keats’ To Autumn are clear predecessors in their treatment of seasonal change as a mirror for human transience. However, Austin’s poem is more intimate, focusing not on grand philosophical musings but on the quiet, personal reassurance of love persisting beyond youth and vitality.
Victorian England was a period of rapid industrialization and scientific advancement, which led to a cultural nostalgia for rural simplicity. Austin’s poem, with its focus on foraging and natural beauty, can be read as a retreat from modernity—a reaffirmation of timeless, pastoral values in an age of upheaval.
Austin employs a wealth of sensory and metamorphic imagery to evoke the richness of autumn. The poem opens with an invitation:
Come, let us go into the lane, love mine,
And mark and gather what the Autumn grows
The imperative Come establishes an intimate, conversational tone, drawing the reader into a shared experience. The act of gathering autumn’s offerings becomes symbolic—not just of harvesting nature’s bounty but of collecting memories, preserving beauty before it fades.
The poem’s central device is its transformation imagery. Each natural element is described in terms of what it once was and what it has become:
The creamy elder mellowed into wine (a ripening, fermentation)
The russet hip that was the pink-white rose (a fading from vibrant bloom to muted fruit)
The amber woodbine into rubies turned (a shift from soft gold to deep red)
The blackberry that was the bramble born (a humble origin yielding sweetness)
These metamorphoses are not presented as losses but as natural progressions, each phase possessing its own beauty. The seeded clematis and the pearls, that now are corals, of the thorn suggest that even in decay, there is value—seeds promise renewal, and thorns yield unexpected treasures.
The poem’s imagery is tactile and vivid, appealing to the senses: the creamy elder, the russet hip, the amber woodbine. These descriptions create a lush, almost decadent portrait of autumn, far removed from the traditional melancholy associated with the season.
The most striking theme in An Answer is the reconciliation of transience with endurance. The poem does not mourn the passing of summer but celebrates autumn’s unique gifts. This acceptance of seasonal decay becomes a metaphor for aging and love’s persistence.
The volta occurs in the final four lines, where the speaker shifts from describing nature to addressing the beloved directly:
So when, dear love, your summer is decayed,
Beauty more touching than is clustered here
Will linger in your life, and I shall cling
Closely as now, nor ask if it be Spring.
Here, the speaker reassures the beloved that even when youth fades (your summer is decayed), a deeper, more resonant beauty will remain. The promise I shall cling / Closely as now suggests that love does not depend on external vitality but endures through all seasons of life. The final line—nor ask if it be Spring—renounces the longing for renewal, accepting the present moment’s richness.
This theme aligns with Victorian ideals of steadfast love, as seen in Browning’s "Grow old along with me! / The best is yet to be" (Rabbi Ben Ezra). However, Austin’s treatment is subtler, avoiding sentimentality in favor of quiet assurance.
A compelling comparison can be made between An Answer and Keats’ To Autumn. Both poems revel in the sensory abundance of the season, but their tones differ markedly. Keats’ ode is a celebration of autumn’s "mellow fruitfulness," yet it carries an undercurrent of melancholy—the "soft-dying day" and the "gathering swallows" suggest an inevitable decline.
Austin, by contrast, does not dwell on impending winter. His autumn is not a prelude to death but a stage of life with its own merits. Where Keats’ poem is elegiac, Austin’s is consolatory. The difference lies in their resolutions: Keats accepts the cycle of decay, while Austin finds in it a promise of lasting love.
The poem’s emotional power lies in its quiet defiance of conventional narratives of decline. Society often equates aging with loss, but Austin reframes it as a transformation—pearls becoming corals, roses becoming hips—each phase valuable.
Philosophically, the poem resonates with the Stoic acceptance of natural cycles. There is no lament for lost youth, only an appreciation of what remains. This perspective is deeply comforting, offering a model for finding beauty in maturity.
The closing lines carry a profound emotional weight. The speaker does not promise eternal spring (a denial of time) but vows to love without needing spring. This is a mature, realistic vision of love—one that does not rely on perpetual youth but thrives in every season.
Though Alfred Austin may not be remembered as one of the great innovators of English poetry, An Answer demonstrates his ability to weave delicate emotion into natural imagery. The poem’s strength lies in its restraint—it does not shout its wisdom but whispers it, trusting the reader to feel its truth.
In an age obsessed with progress and novelty, Austin’s poem is a reminder that some truths are perennial: that love outlasts youth, that decay can be beautiful, and that the passage of time need not be feared. It is a small but exquisite gem in the Victorian lyrical tradition, worthy of rediscovery and admiration.
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