“We have this wonderful store of folk music—the melodies of an enslaved people, who pour out their longings, their griefs, and their inspirations in one great universal language. But this store will be of no value unless we utilize it, unless we treat it in such a manner that it can be presented in choral form, in lyric and operatic works, in concertos and suites and salon music—unless our musical architects take the rough timber of Negro themes and fashion from it music which will prove that we, too, have national feelings and characteristics, as have the European peoples whose forms we have zealously followed for so long.”