I am Richard, the creator of V2Melody, my retirement project where I aim to learn more about poetry, poets, and music by setting classical poems to music using AI tools and freely sharing them with like-minded people.
Absolutely brilliant! Those driving reggaeton rhythms instantly pulled me in. The hypnotic beats and staccato desert blues guitar create such a unique atmosphere. This arrangement is both adventurous and uplifting. What a fantastic way to bring this lovely poem to life!
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"Thanks for sharing your thoughts on the arrangement. I’m pleased the reggaeton rhythms and desert bl..." — Richard
Thanks for sharing your thoughts on the arrangement. I’m pleased the reggaeton rhythms and desert blues guitar stood out for you. I was interested in how those contrasting elements might reflect both the energy of the poem and the unpredictable nature of the sea. Do you find that certain rhythmic patterns or guitar styles evoke a particular mood for you when paired with poetry, or was it the combination itself that created the atmosphere? I’m always curious about how listeners interpret these musical blends, especially when working with such evocative source material as "The Stormy Petrel".
"This performance just blew me away. I have always loved Felicia Hemans. It's the work of a singer to give soul to the poem. The poem comes with wings; it waits for its righteous singer, and then it flies and makes a home in its needed owner's heart. So, three people are involved in the creative process of the poem: the poet who writes with a heart, the singer who sings with a soul, and the reader who reads and listens with a mind and a heart attentive to both."
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"Thank you for sharing your perspective, Sarakhatun. I appreciate how you describe the journey of a p..." — Richard
Thank you for sharing your perspective, Sarakhatun. I appreciate how you describe the journey of a poem from the writer’s heart, through the performer’s interpretation, and finally to the attentive listener. Felicia Hemans certainly gives us plenty to work with in terms of both emotion and imagery. I agree that a poem like this only truly comes alive when it finds the right voice and an open ear. I’m curious, are there other Hemans poems, or works by similar poets, that you think would benefit from a musical setting? I’m always interested in exploring new possibilities for arrangement and interpretation.
I couldn't put into words my love for this poem and for all three ethereal tracks. When I first listened to them, I felt entranced. I thought they couldn't be performed any better than they already are - they're just perfect. The longing in the poem is also beautifully reflected in the melancholic voices of the songstresses who sang them with such depth of feeling. My heart finally found an outlet for its emotions in listening to these tracks, and I cried a little when I first heard them two months ago. This website is like a dream come true. Can I ask you for also playing in tune some of the poems of amelia opie(1769-1853).She also wrote beautifully on love with nature imagery. Her poems like "lines to Henry" etc.
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"Thank you for taking the time to share your thoughts about the poem and the tracks. I appreciate hea..." — Richard
Thank you for taking the time to share your thoughts about the poem and the tracks. I appreciate hearing how the music and performances affected you, and I am glad that the arrangements resonated with you in such a personal way. Your suggestion to include poems by Amelia Opie is a good one. I have now added 85 poems from Opie's collection to V2Melody and I have set Stanzas of Sorrowto music with two different adaptations. You can find these, along with the rest of the Opie poems, on the Amelia Opie page. If you have other poets or specific poems in mind, feel free to mention them. I am always interested in exploring new material and exchanging ideas.
A musical interpretation of a poem interpreting a work of art. Interesting. Thank you for introducing me to this poet. I had never heard of Mina Loy before today.
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"Thank you for your thoughtful comment. I am glad you found the idea of layering musical interpretati..." — Richard
Thank you for your thoughtful comment. I am glad you found the idea of layering musical interpretation over poetic interpretation of visual art to be interesting. Mina Loy is indeed a fascinating poet, both for her experimental style and for how she navigated the artistic circles of her time. Her poem about Brancusi’s sculpture is a great example of how different art forms can speak to each other, each adding its own perspective to the conversation.
If you find Loy’s work intriguing, there is a lot more to discover in her poetry, especially her explorations of modernist themes and her unique use of language. I am always interested to hear how others respond to these cross-disciplinary experiments, so if you have any thoughts on how the music interacts with the poem or the sculpture, I would enjoy hearing them.
Thank you for your comment, Maggie. That line stands out for me as well: it manages to be both startling and oddly beautiful, capturing the way Loy transforms even something as mundane as pigeon droppings into a kind of urban myth or spiritual metaphor. It is remarkable how a single phrase can shift our perspective on the ordinary, inviting us to see the city’s messiness in a new, almost sacred light.
LyricalSinger, thanks for sharing your thoughts. I agree, the tone of "Too long, skeleton" is certainly on the bleak side. Dylan Thomas often delves into the darker aspects of existence, and this poem is no exception, with its focus on mortality and decay. I find it interesting how he uses such stark imagery to confront the realities we usually prefer to avoid. Do you think the poem’s bleakness adds to its impact, or does it overshadow other possible interpretations? I’d be interested to hear more about your perspective.
Thank you so much for your thoughtful comment! I couldn’t agree more; humor really is a lifeboat in life’s stormy seas. I’m thrilled you enjoyed my take on Edgar A. Guest’s wonderful poem. Your words are truly encouraging and make the creative journey all the more rewarding. Thanks again for listening and sharing your reflections!
Thank you so much for your kind words! I’m delighted that you enjoyed both tracks and that the whimsical, quizzical spirit of the poem came through for you. It’s always a pleasure to know the music connects and brings the poetry to life. Your feedback truly means a lot and inspires me to keep experimenting with new arrangements. Thanks again for listening and sharing your thoughts!
What a wonderful experience! I’ve always loved “Wind on the Hill,” but hearing it brought to life with those hypnotic Afrobeats rhythms gave the poem a whole new dimension. This arrangement is both playful and deeply moving. Thank you for sharing such a creative and joyful interpretation!
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"Thank you so much, Maggie! I’m thrilled you enjoyed these arrangements—“Wind on the Hill” has always..." — Richard
Thank you so much, Maggie! I’m thrilled you enjoyed these arrangements—“Wind on the Hill” has always been a favorite of mine too, and it was a joy to reimagine it with Afrobeats rhythms. I’m glad the blend of playfulness and emotion came through for you. Your thoughtful feedback truly means a lot and inspires me to keep experimenting with new musical directions. Thanks again for listening and sharing your experience!
I love the word-play where William says: "O, that this too too solid flesh would melt, Thaw and resolve itself into a dew!" where the play on words of "a dew" and "adieu" are so obvious but perhaps so overlooked. Maybe the audience of the day would have got the joke?
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"That's quite an observation. "a dew" - "adieu" - Thank you for pointing this out." — Richard
Recent Comments
The Stormy Petrel
Absolutely brilliant! Those driving reggaeton rhythms instantly pulled me in. The hypnotic beats and staccato desert blues guitar create such a unique atmosphere. This arrangement is both adventurous and uplifting. What a fantastic way to bring this lovely poem to life!
The Haunted House
"This performance just blew me away. I have always loved Felicia Hemans. It's the work of a singer to give soul to the poem. The poem comes with wings; it waits for its righteous singer, and then it flies and makes a home in its needed owner's heart. So, three people are involved in the creative process of the poem: the poet who writes with a heart, the singer who sings with a soul, and the reader who reads and listens with a mind and a heart attentive to both."
A Dead Girl To Her Lover
I couldn't put into words my love for this poem and for all three ethereal tracks. When I first listened to them, I felt entranced. I thought they couldn't be performed any better than they already are - they're just perfect. The longing in the poem is also beautifully reflected in the melancholic voices of the songstresses who sang them with such depth of feeling. My heart finally found an outlet for its emotions in listening to these tracks, and I cried a little when I first heard them two months ago. This website is like a dream come true. Can I ask you for also playing in tune some of the poems of amelia opie(1769-1853).She also wrote beautifully on love with nature imagery. Her poems like "lines to Henry" etc.
Brancusi’s Golden Bird
A musical interpretation of a poem interpreting a work of art. Interesting. Thank you for introducing me to this poet. I had never heard of Mina Loy before today.
Property of Pigeons
"as if an angel had been sick" - one of my favourite lines in a poem.
Too long, skeleton
A little bleak.
A Sense of Humor
Sense of humor indeed will keep us floating through this turbulent sea of life. What a magnificent performance to a powerful poem!
Wind on the Hill
Very beautiful! The track 2 successfully captures the whimsical and quizzical nature of the poem. Track 1 is amazing too!
What a wonderful experience! I’ve always loved “Wind on the Hill,” but hearing it brought to life with those hypnotic Afrobeats rhythms gave the poem a whole new dimension. This arrangement is both playful and deeply moving. Thank you for sharing such a creative and joyful interpretation!
O, that this too too solid flesh would melt
I love the word-play where William says: "O, that this too too solid flesh would melt, Thaw and resolve itself into a dew!" where the play on words of "a dew" and "adieu" are so obvious but perhaps so overlooked. Maybe the audience of the day would have got the joke?