A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.021 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Work

by D. H. Lawrence

−0.3955 + 0.8300i

Drawing the boundary…

Teresa Pashkowsky

by Edgar Lee Masters

−0.4163 + 0.8260i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Work

by D. H. Lawrence

There is no point in work
unless it absorbs you
like an absorbing game.

If it doesn't absorb you
if it's never any fun,
don't do it.

When a man goes out into his work
he is alive like a tree in spring,
he is living, not merely working.

When the Hindus weave thin wool into long, long lengths of stuff
with their thin dark hands and their wide dark eyes and their still souls absorbed
they are like slender trees putting forth leaves, a long white web of living leaf,
the tissue they weave,
and they clothe themselves in white as a tree clothes itself in its own foliage.

As with cloth, so with houses, ships, shoes, wagons or cups or loaves
men might put them forth as a snail its shell, as a bird that leans
its breast against its nest, to make it round,
as the turnip models his round root, as the bush makes flowers and gooseberries,
putting them forth, not manufacturing them,
and cities might be as once they were, bowers grown out from the busy bodies of people.

And so it will be again, men will smash the machines.

At last, for the sake of clothing himself in his own leaf-like cloth
tissued from his life,
and dwelling in his own bowery house, like a beaver's nibbled mansion
and drinking from cups that came off his fingers like flowers off their five-fold stem,
he will cancel the machines we have got.

Teresa Pashkowsky

by Edgar Lee Masters

How came this Japanese poppy
To bloom alone, far afield in a middle meadow,
With grasses and yellow buttercups around it,
Lifting its scarlet splendor, bright as a flame,
Like a ruddy moon, like a torch in the earthbound hands
Of buried Persephone, high over flowering weeds?—
A wind blew the seed from a lovely garden,
Over the soft warm waters at night, when the stars
Fringed down or lifted lashes of drowsy light
For the soothing heat of September.
But whence were you, Teresa Pashkowsky,
Here amid drug stores, movies, squabble and alleys,
Rising to song, and the soul of Lucia, Thais,
And fame in the world?

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