Poem fractal

Side by side

Random

0.055 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

Forgiven

by A. A. Milne

0.0733 + 0.4488i

Drawing the boundary…

To a Deaf and Dumb Little Girl

by Hartley Coleridge

0.1199 + 0.4779i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

Forgiven

by A. A. Milne

I found a little beetle; so that Beetle was his name,
And I called him Alexander and he answered just the same.
I put him in a match-box, and I kept him all the day...
And Nanny let my beetle out -
Yes, Nanny let my beetle out -
She went and let my beetle out -
And Beetle ran away.

She said she didn't mean it, and I never said she did,
She said she wanted matches and she just took off the lid,
She said that she was sorry, but it's difficult to catch
An excited sort of beetle you've mistaken for a match.

She said that she was sorry, and I really mustn't mind,
As there's lots and lots of beetles which she's certain we could find,
If we looked about the garden for the holes where beetles hid -
And we'd get another match-box and write BEETLE on the lid.

We went to all the places which a beetle might be near,
And we made the sort of noises which a beetle likes to hear,
And I saw a kind of something, and I gave a sort of shout:
"A beetle-house and Alexander Beetle coming out!"

It was Alexander Beetle I'm as certain as can be,
And he had a sort of look as if he thought it must be Me,
And he had a sort of look as if he thought he ought to say:
"I'm very very sorry that I tried to run away."

And Nanny's very sorry too for you-know-what-she-did,
And she's writing ALEXANDER very blackly on the lid,
So Nan and Me are friends, because it's difficult to catch
An excited Alexander you've mistaken for a match.

To a Deaf and Dumb Little Girl

by Hartley Coleridge

Like a loose island on the wide expanse,
Unconscious floating on the fickle sea,
Herself her all, she lives in privacy;
Her waking life as lonely as a trance,
Doom’d to behold the universal dance,
And never hear the music which expounds
The solemn step, coy slide, the merry bounds.
The vague, mute language of the countenance.
In vain for her I smooth my antic rhyme;
She cannot hear it. All her little being
Concentrated in her solitary seeing—
What can she know of beauty or sublime?
And yet methinks she looks so calm and good,
God must be with her in her solitude!

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