A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Poem fractal

Side by side

Random

0.143 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

A Protest

by Arthur Hugh Clough

−0.4248 + 1.7732i

Drawing the boundary…

Lover's Seat

by Ernst Stadler

−0.4588 + 1.6339i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

A Protest

by Arthur Hugh Clough

Light words they were, and lightly, falsely said:
She heard them, and she started,—and she rose,
As in the act to speak; the sudden thought
And unconsidered impulse led her on.
In act to speak she rose, but with the sense
Of all the eyes of that mixed company
Now suddenly turned upon her, some with age
Hardened and dulled, some cold and critical;
Some in whom vapours of their own conceit,
As moist malarious mists the heavenly stars,
Still blotted out their good, the best at best
By frivolous laugh and prate conventional
All too untuned for all she thought to say—
With such a thought the mantling blood to her cheek
Flushed-up, and o’er-flushed itself, blank night her soul
Made dark, and in her all her purpose swooned.
She stood as if for sinking. Yet anon
With recollections clear, august, sublime,
Of God’s great truth, and right immutable,
Which, as obedient vassals, to her mind
Came summoned of her will, in self-negation
Quelling her troublous earthy consciousness,
She queened it o’er her weakness. At the spell
Back rolled the ruddy tide, and leaves her cheek
Paler than erst, and yet not ebbs so far
But that one pulse of one indignant thought
Might hurry it hither in flood. So as she stood
She spoke. God in her spoke and made her heard.

Lover's Seat

by Ernst Stadler

Im Abend sind wir steile grünbebuschte Dünenwege hingeschritten.
Du ruhst an mich gedrängt. Die Kreideklippe schwingt ihr schimmerndes Gefieder über tiefem Meere.
Hier, wo der Fels in jäher Todesgier ins Leere
Hinüberlehnt, sind einst zwei Liebende ins weiche blaue Bett geglitten.

Fern tönt die Brandung. Zwischen Küssen lausch ich der Legende,
Die lachend mir dein Mund in den erglühten Sommerabend spricht.
Doch tief mich beugend seh' ich wie im Glück erstarren dein Gesicht
Und dumpfe Schwermut hinter deinen Wimpern warten und das nahe Ende.

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