Light words they were, and lightly, falsely said:
She heard them, and she started,—and she rose,
As in the act to speak; the sudden thought
And unconsidered impulse led her on.
In act to speak she rose, but with the sense
Of all the eyes of that mixed company
Now suddenly turned upon her, some with age
Hardened and dulled, some cold and critical;
Some in whom vapours of their own conceit,
As moist malarious mists the heavenly stars,
Still blotted out their good, the best at best
By frivolous laugh and prate conventional
All too untuned for all she thought to say—
With such a thought the mantling blood to her cheek
Flushed-up, and o’er-flushed itself, blank night her soul
Made dark, and in her all her purpose swooned.
She stood as if for sinking. Yet anon
With recollections clear, august, sublime,
Of God’s great truth, and right immutable,
Which, as obedient vassals, to her mind
Came summoned of her will, in self-negation
Quelling her troublous earthy consciousness,
She queened it o’er her weakness. At the spell
Back rolled the ruddy tide, and leaves her cheek
Paler than erst, and yet not ebbs so far
But that one pulse of one indignant thought
Might hurry it hither in flood. So as she stood
She spoke. God in her spoke and made her heard.

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.