Poem fractal

Side by side

Random

0.035 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Conqueror Worm

by Edgar Allan Poe

−0.5251 − 0.4010i

Drawing the boundary…

Sandalphon

by Henry Wadsworth Longfellow

−0.4993 − 0.3767i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Conqueror Worm

by Edgar Allan Poe

Lo! 'tis a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.

Mimes, in the form of God on high,
Mutter and mumble low,
And hither and thither fly—
Mere puppets they, who come and go
At bidding of vast formless things
That shift the scenery to and fro,
Flapping from out their Condor wings
Invisible Wo!

That motley drama—oh, be sure
It shall not be forgot!
With its Phantom chased for evermore,
By a crowd that seize it not,
Through a circle that ever returneth in
To the self-same spot,
And much of Madness, and more of Sin,
And Horror the soul of the plot.

But see, amid the mimic rout
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes!—it writhes!—with mortal pangs
The mimes become its food,
And the angels sob at vermin fangs
In human gore imbued.

Out—out are the lights—out all!
And, over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
And the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, "Man,"
And its hero the Conqueror Worm.

Sandalphon

by Henry Wadsworth Longfellow

Have you read in the Talmud of old,
In the Legends the Rabbins have told
  Of the limitless realms of the air, — 
Have you read it, — the marvellous story
Of Sandalphon, the Angel of Glory,
  Sandalphon, the Angel of Prayer?

How, erect, at the outermost gates
Of the City Celestial he waits,
  With his feet on the ladder of light,
That, crowded with angels unnumbered,
By Jacob was seen, as he slumbered
  Alone in the desert at night?

The Angels of Wind and of Fire
Chant only one hymn, and expire
  With the song's irresistible stress;
Expire in their rapture and wonder,
As harp-strings are broken asunder
  By music they throb to express.

But serene in the rapturous throng,
Unmoved by the rush of the song,
  With eyes unimpassioned and slow,
Among the dead angels, the deathless
Sandalphon stands listening breathless
  To sounds that ascend from below; — 

From the spirits on earth that adore,
From the souls that entreat and implore
  In the fervor and passion of prayer;
From the hearts that are broken with losses,
And weary with dragging the crosses
  Too heavy for mortals to bear.

And he gathers the prayers as he stands,
And they change into flowers in his hands,
  Into garlands of purple and red;
And beneath the great arch of the portal,
Through the streets of the City Immortal
  Is wafted the fragrance they shed.

It is but a legend, I know, — 
A fable, a phantom, a show,
  Of the ancient Rabbinical lore;
Yet the old mediaeval tradition,
The beautiful, strange superstition,
  But haunts me and holds me the more.

When I look from my window at night,
And the welkin above is all white,
  All throbbing and panting with stars,
Among them majestic is standing
Sandalphon the angel, expanding
  His pinions in nebulous bars.

And the legend, I feel, is a part
Of the hunger and thirst of the heart,
  The frenzy and fire of the brain,
That grasps at the fruitage forbidden,
The golden pomegranates of Eden,
  To quiet its fever and pain.

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