Poem fractal

Side by side

Random

0.024 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

What's in a Name?

by Christina Rossetti

−0.3095 − 0.5412i

Drawing the boundary…

The Rose

by Sara Teasdale

−0.2902 − 0.5559i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

What's in a Name?

by Christina Rossetti

Why has Spring one syllable less
Than any its fellow season?
There may be some other reason,
And I'm merely making a guess;
But surely it hoards such wealth
Of happiness, hope and health,
Sunshine and musical sound,
It may spare a foot from its name
Yet all the same
Superabound.

Soft-named Summer,
Most welcome comer,
Brings almost everything
Over which we dream or sing
Or sigh;
But then Summer wends its way,
To-morrow,--to-day,--
Good-bye!

Autumn,--the slow name lingers,
While we likewise flag;
It silences many singers;
Its slow days drag,
Yet hasten at speed
To leave us in chilly need
For Winter to strip indeed.

In all-lack Winter,
Dull of sense and of sound,
We huddle and shiver
Beside our splinter
Of crackling pine,
Snow in sky and snow on ground.
Winter and cold
Can't last for ever!
To-day, to-morrow, the sun will shine;
When we are old,
But some still are young,
Singing the song
Which others have sung,
Ringing the bells
Which others have rung,--
Even so!
We ourselves, who else?
We ourselves long
Long ago.

The Rose

by Sara Teasdale

Beneath my chamber window
Pierrot was singing, singing;
I heard his lute the whole night thru
Until the east was red.
Alas, alas, Pierrot,
I had no rose for flinging
Save one that drank my tears for dew
Before its leaves were dead.

I found it in the darkness,
I kissed it once and threw it,
The petals scattered over him,
His song was turned to joy;
And he will never know—
Alas, the one who knew it!—
The rose was plucked when dusk was dim
Beside a laughing boy.

—
—
0:00
0:00
Track 1
Skip to main content