Poem fractal

Side by side

Random

0.006 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

The Dead

by Mina Loy

0.1045 − 0.6466i

Drawing the boundary…

In the Oratory

by Arthur Symons

0.0995 − 0.6430i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

The Dead

by Mina Loy

We have flowed out of ourselves
Beginning on the outside
That shrivable skin
Where you leave off

Of infinite elastic
Walking the ceiling
Our eyelashes polish stars

Curled close in the youngest corpuscle
Of a descendant
We spit up our passions in our grand-dams

Fixing the extension of your reactions
Our shadow lengthens
In your fear

You are so old
Born in our immortality
Stuck fast as Life
In one impalpable
Omniprevalent Dimension

We are turned inside out
Your cities lie digesting in our stomachs
Street lights footle in our ocular darkness

Having swallowed your irate hungers
Satisfied before bread-breaking
To your dissolution
We splinter into Wholes
Stirring the remorses of your tomorrow
Among the refuse of your unborn centuries
In our busy ashbins
Stink the melodies
Of your
So easily reducible
Adolescences

Our tissue is of that which escapes you
Birth-Breaths and orgasms
The shattering tremor of the static
The far-shore of an instant
The unsurpassable openness of the circle
Legerdemain of God

Only in the segregated angles of Lunatic Asylums
Do those who have strained to exceeding themselves
Break on our edgeless contours

The mouthed echoes of what
Has exuded to our companionship
Is horrible to the ear
Of the half that is left inside them.

In the Oratory

by Arthur Symons

The incense mounted like a cloud,
     A golden cloud of languid scent;
Robed priests before the altar bowed,
     Expecting the divine event.

Then silence, like a prisoner bound,
     Rose, by a mighty hand set free,
And dazzlingly, in shafts of sound,
     Thundered Beethoven’s Mass in C.

She knelt in prayer; large lids serene
     Lay heavy on the sombre eyes,
As though to veil some vision seen
     Upon the mounts of Paradise.

Her dark face, calm as carven stone.
     The face that twilight shows the day,
Brooded, mysteriously alone,
     And infinitely far away.

Inexplicable eyes that drew
     Mine eyes adoring, why from me
Demand, new Sphinx, the fatal clue
     That seals my doom or conquers thee?

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