Poem fractal

Side by side

Random

0.020 apart. A smaller distance means the lines are built more alike.

This number is read from the build of the lines. The bright edge is that number, carried outward until the pattern repeats.

In School-Days

by John Greenleaf Whittier

−0.3046 − 0.6530i

Drawing the boundary…

My Garden

by Ralph Waldo Emerson

−0.3246 − 0.6545i

Drawing the boundary…

The poems

Each poem scrolls on its own, so the two texts stay beside each other.

In School-Days

by John Greenleaf Whittier

Still sits the school-house by the road,
A ragged beggar sunning;
Around it still the sumachs grow,
And blackberry vines are running.
 
Within, the master's desk is seen,
Deep scarred by raps official;
The warping floor, the battered seats,
The jack-knife's carved initial;
 
The charcoal frescoes on its wall;
Its door's worn sill, betraying
The feet that, creeping slow to school,
Went storming out to playing!
 
Long years ago a winter sun
Shone over it at setting;
Lit up its western window-panes,
And low eaves' icy fretting.
 
It touched the tangled golden curls,
And brown eyes full of grieving,
Of one who still her steps delayed
When all the school were leaving.
 
For near her stood the little boy
Her childish favor singled:
His cap pulled low upon a face
Where pride and shame were mingled.
 
Pushing with restless feet the snow
To right and left, he lingered;—
As restlessly her tiny hands
The blue-checked apron fingered.
 
He saw her lift her eyes; he felt
The soft hand's light caressing,
And heard the tremble of her voice,
As if a fault confessing.
 
"I'm sorry that I spelt the word:
I hate to go above you,
Because,"—the brown eyes lower fell,—
"Because, you see, I love you!"
 
Still memory to a gray-haired man
That sweet child-face is showing.
Dear girl: the grasses on her grave
Have forty years been growing!
 
He lives to learn, in life's hard school,
How few who pass above him
Lament their triumph and his loss,
Like her,—because they love him.

My Garden

by Ralph Waldo Emerson

If I could put my woods in song
And tell what's there enjoyed,
All men would to my gardens throng,
And leave the cities void.

In my plot no tulips blow,—
Snow-loving pines and oaks instead;
And rank the savage maples grow
From Spring's faint flush to Autumn red.

My garden is a forest ledge
Which older forests bound;
The banks slope down to the blue lake-edge,
Then plunge to depths profound.

Here once the Deluge ploughed,
Laid the terraces, one by one;
Ebbing later whence it flowed,
They bleach and dry in the sun.

The sowers made haste to depart,—
The wind and the birds which sowed it;
Not for fame, nor by rules of art,
Planted these, and tempests flowed it.

Waters that wash my garden-side
Play not in Nature's lawful web,
They heed not moon or solar tide,—
Five years elapse from flood to ebb.

Hither hasted, in old time, Jove,
And every god,—none did refuse;
And be sure at last came Love,
And after Love, the Muse.

Keen ears can catch a syllable,
As if one spake to another,
In the hemlocks tall, untamable,
And what the whispering grasses smother.

Aeolian harps in the pine
Ring with the song of the Fates;
Infant Bacchus in the vine,—
Far distant yet his chorus waits.

Canst thou copy in verse one chime
Of the wood-bell's peal and cry,
Write in a book the morning's prime,
Or match with words that tender sky?

Wonderful verse of the gods,
Of one import, of varied tone;
They chant the bliss of their abodes
To man imprisoned in his own.

Ever the words of the gods resound;
But the porches of man's ear
Seldom in this low life's round
Are unsealed that he may hear.

Wandering voices in the air
And murmurs in the wold
Speak what I cannot declare,
Yet cannot all withhold.

When the shadow fell on the lake,
The whirlwind in ripples wrote
Air-bells of fortune that shine and break,
And omens above thought.

But the meanings cleave to the lake,
Cannot be carried in book or urn;
Go thy ways now, come later back,
On waves and hedges still they burn.

These the fates of men forecast,
Of better men than live to-day;
If who can read them comes at last
He will spell in the sculpture, 'Stay.'

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