Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Andrew Marvell
Sir John Suckling
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Andrew Marvell was born on March 31, 1621, in the small village of Winestead in the East Riding of Yorkshire, England, the son of the Reverend Andrew Marvell and Anne Pease Marvell. The family soon moved to the bustling port town of Hull when the elder Marvell was appointed lecturer at Holy Trinity Church and master of the Charterhouse, a charitable institution. Young Andrew grew up amid the sounds of the sea and the…
“Although it handles me so roughly yet I am not at all amated by it.”
Sir John Suckling stands as one of the most vivid and enigmatic figures of the seventeenth century, a man whose life was lived with the same flamboyant intensity that characterized his verse. Born in 1609 and dying under mysterious circumstances in 1642, Suckling's brief thirty-three years encapsulate the glittering excess and underlying tragedy of the Caroline era. He is remembered today as the quintessential Cavali…
About 257 km separate Winestead-in-Holderness, Yorkshire, England from Whitton, Middlesex, England. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Andrew Marvell: winestead, hull, trinity college, mary fairfax, upon appleton house, the garden, to his coy mistress, the mower's song. Sir John Suckling: whitton, cavalier poet, king charles i, fragmenta aurea, trinity college cambridge, gray's inn, first bishops' war, the ballad of a wedding.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Andrew Marvell: Longing, Sorrow, Wonder. Sir John Suckling: Longing, Sorrow, Despair.
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