Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Andrew Marvell
Richard Lovelace
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Andrew Marvell was born on March 31, 1621, in the small village of Winestead in the East Riding of Yorkshire, England, the son of the Reverend Andrew Marvell and Anne Pease Marvell. The family soon moved to the bustling port town of Hull when the elder Marvell was appointed lecturer at Holy Trinity Church and master of the Charterhouse, a charitable institution. Young Andrew grew up amid the sounds of the sea and the…
“Although it handles me so roughly yet I am not at all amated by it.”
Richard Lovelace, born on 9 December 1617 and dead by 1657, occupies a distinctive place in English literary history as one of the finest poets associated with the Cavalier tradition. His name is inseparable from two of the most frequently quoted lyrics of the seventeenth century: “I could not love thee, Dear, so much, / Loved I not Honour more” and “Stone walls do not a prison make, / Nor iron bars a cage.” Such mem…
About 296 km separate Winestead-in-Holderness, Yorkshire, England from Woolwich, Kent, England. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Andrew Marvell: winestead, hull, trinity college, mary fairfax, upon appleton house, the garden, to his coy mistress, the mower's song. Richard Lovelace: cavalier tradition, charterhouse school, gloucester hall, to althea, from prison, to lucasta, going to the warres, sir william lovelace, george goring, royalist.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Andrew Marvell: Longing, Sorrow, Wonder. Richard Lovelace: Longing, Sorrow, Tenderness.
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