Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Arthur O'Shaughnessy
Archibald MacLeish
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…
“They are therefore essentially thoughts in marble, or poems of form.”
In the pantheon of twentieth-century American letters, few figures embodied as many contradictions and reconciliations as Archibald MacLeish. Born on May 7, 1892, in Glencoe, Illinois, and dying on April 20, 1982, in Boston, Massachusetts, MacLeish lived through nearly the entire span of the American century, bearing witness to two world wars, the Great Depression, the atomic age, and the cultural revolutions that re…
“The arts are the only way to escape the world without leaving it.”
About 6,331 km separate Ealing, London, England from Glencoe, Illinois, USA. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston. Archibald MacLeish: glencoe, illinois, harvard law school, ada hitchcock, the hamlet of a. macleish, conquistador, pulitzer prize, the happy marriage and other poems, the pot of earth.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Arthur O'Shaughnessy: Longing, Sorrow, Despair. Archibald MacLeish: Sorrow, Despair, Longing.
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