Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Arthur O'Shaughnessy
Charles Mackay
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…
“My meaning is that Art is good—is an incalculable gain to man.”
Charles Mackay was born in Perth, Scotland, on 27 March 1814, and died in London on 24 December 1889. During a long and unusually various career, he became known as a poet, songwriter, editor, journalist, historian of London, commentator on social life, and author of one of the nineteenth century’s most durable books of cultural psychology, Extraordinary Popular Delusions and the Madness of Crowds. He was never quite…
“Millions of people become simultaneously impressed with one delusion, and run after it, till their attention is caught by some new folly more captivating than the first.”
About 580 km separate Ealing, London, England from Perth, Scotland. Both have ground in London.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston. Charles Mackay: perth, extraordinary popular delusions, the madness of crowds, cheer boys cheer, the good time coming, morning chronicle, glasgow argus, victorian man of letters.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Arthur O'Shaughnessy: Longing, Sorrow, Despair. Charles Mackay: Longing, Joy, Peace.
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