A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Nora Hopper Chesson Nora Hopper Chesson

Poet B

Marjorie L. C. Pickthall Marjorie L. C. Pickthall
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 77% Poems 91% Blended 84%
Swap sides Another related pair
Nora Hopper Chesson

Nora Hopper Chesson

2 January 1871 – 14 April 1906 (~35)
79 live poems · English

Nora Hopper Chesson, born Nora Hopper on 2 January 1871 in Exeter, England, and dead on 14 April 1906, belongs to that compelling company of poets whose work has remained more vivid than their public reputation. Her life was brief, her published oeuvre relatively small, and the surviving record of her private circumstances incomplete. Yet the poems she left behind possess a distinctive pressure and atmosphere: they a…

“Nor need we doubt that the lucky man is he who is born on Christmas Day.”

Neighbourhood: Irish Poets, Pre-Raphaelite Poets, Symbolist Poets, Women Poets
Emotional landscape: Longing, Sorrow, Tenderness
Marjorie L. C. Pickthall

Marjorie L. C. Pickthall

14 September 1883 – 22 April 1922 (~39)
2 live poems · English

Marjorie Lowry Christie Pickthall was born on 14 September 1883 at Gunnersbury, then in Middlesex, England, and died on 22 April 1922 in Vancouver, British Columbia. During her lifetime she was among the best-known and most admired poets in Canada, a writer whose delicately fashioned lyrics, religious imagination, and exact attention to the natural world won readers on both sides of the Atlantic. Her posthumous reput…

“Poetry is all very well. But when you are reduced to seventeen cents and some stamps.”

Neighbourhood: Devotional Poets, Edwardian Poets, Nature Poets, Women Poets
Emotional landscape: Peace, Tenderness, Wonder

In time

Nora Hopper Chesson
Marjorie L. C. Pickthall
1871 1922
They overlapped for 24 years (1883–1906). When Marjorie L. C. Pickthall was born, Nora Hopper Chesson was about 12. Marjorie L. C. Pickthall was about 23 when Nora Hopper Chesson died.

On the map

About 242 km separate Exeter, Devon, England from Gunnersbury, Middlesex, England. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Nora Hopper Chesson: exeter, irish literary revival, under quicken boughs, celtic legend, wilfrid hugh chesson, fin de siècle, decadence, folk revival. Marjorie L. C. Pickthall: gunnersbury, vancouver, two ears of corn, the drift of pinions, charles g. d. roberts, canadian poets, victorian aestheticism, catholic church.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Hill-Winds
Nora Hopper Chesson
83%
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
The Woman in the Shadow
Nora Hopper Chesson
82% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
Castara's Flitting
Nora Hopper Chesson
82%
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
My Garland
Nora Hopper Chesson
81% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
The Dinny Math
Nora Hopper Chesson
81%
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall
The Cuckoo Sings in the Heart of Winter
Nora Hopper Chesson
81% love
Compare
I Sat Among the Green Leaves
Marjorie L. C. Pickthall

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Nora Hopper Chesson: Longing, Sorrow, Tenderness. Marjorie L. C. Pickthall: Peace, Tenderness, Wonder.

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