Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Walter de la Mare
Edward Lear
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Walter John de la Mare was born on 25 April 1873 at Charlton, then in Kent and now part of southeast London, into a family whose circumstances were modest but whose cultural inheritance was unusually varied. His father, James Edward de la Mare, worked as an official at the Bank of England; his mother, Lucy Sophia Browning, came from a family with Scottish connections. The surname preserved a French Huguenot ancestry,…
“Only the rarest kind of best is good enough for the young.”
Edward Lear was born on 12 May 1812 at Holloway, then a semi-rural northern suburb of London, and died at San Remo, Italy, on 29 January 1888. He is now cherished as one of the great makers of English literary nonsense: the author of “The Owl and the Pussycat,” “The Jumblies,” “The Dong with a Luminous Nose,” and hundreds of limericks populated by improbable old persons, birds, cats, Quangle Wangles, and creatures wh…
“I do not write for children, but for the child in all of us, whether he be of five, fifty, or seventy-five.”
About 88 km separate Canterbury, Kent, England from Holloway, London, England. Shared ground: United Kingdom.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Walter de la Mare: charlton, st paul's cathedral choir school, songs of childhood, the listeners, the three mulla-mulgars, peacock pie, elfrida ingpen, henry newbolt. Edward Lear: san remo, the owl and the pussycat, the jumblies, the dong with a luminous nose, nonsense poetry, chichester fortescue, franklin lushington, illustrations of the family of psittacidae.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Walter de la Mare: Wonder, Peace, Tenderness. Edward Lear: Wonder, Joy, Peace.
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