Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Alice Corbin
Owen Seaman
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
Alice Corbin Henderson, born Alice Corbin on 16 April 1881 in St. Louis, Missouri, and dead on 18 July 1949 in Santa Fe, New Mexico, occupies an important if still insufficiently celebrated place in American literary history. She was a poet of lyrical concentration, an editor whose judgment helped define a revolutionary period in verse, a critic attentive to the relation between art and place, and a cultural organize…
“The professor of folk-song, like the melancholy cowboy, will have to go.”
Owen Seaman, born on 18 September 1861 in Shrewsbury, Shropshire, and dead on 2 February 1936, occupied an unusually influential place in British literary culture for a man whose name is now less familiar than the names of many writers he parodied, edited, or helped to popularize. Poet, humorist, classicist, journalist, critic, lecturer, and long-serving editor of Punch, he was one of the most conspicuous representat…
“I understand, on good authority, that the tendency of the public at this juncture of the War is to demand light refreshment. Well, they have it here.”
About 6,540 km separate St. Louis, Missouri, USA from Shrewsbury, Shropshire, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Alice Corbin: st. louis, santa fe, william penhallow henderson, poetry magazine, the spinning woman of the desert, red earth: poems of new mexico, imagism, chicago modernism. Owen Seaman: shrewsbury, punch, edwardian wit, clare college, rossall school, the battle of the bays, in cap and bells, borrowed plumes.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Alice Corbin: Wonder, Spirituality, Tenderness. Owen Seaman: Irony, Sorrow, Anger.
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