Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Walter J. Turner
William Watson
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the pantheon of early twentieth-century poetry, certain names blaze with enduring brilliance while others flicker in the margins of literary history, their contributions underappreciated or nearly forgotten. Walter James Redfern Turner, born on October 13, 1884, in South Melbourne, Australia, belongs to this latter category—a poet, critic, and cultural polymath whose work once commanded the admiration of W.B. Yeat…
“It is futile to declaim vaguely against all popular music.”
William Watson was born on 2 August 1858 at Burley-in-Wharfedale, Yorkshire, and died on 11 August 1935 at Ditchling, Sussex. During his lifetime he occupied a curious and at times conspicuous place in English literary culture. He was praised as one of the finest inheritors of the Victorian poetic tradition, repeatedly mentioned as a possible Poet Laureate, admired for his disciplined music and moral seriousness, and…
“We cannot believe that he criticiseth best who loveth best all styles both great and small.”
About 16,922 km separate Melbourne, Victoria, Australia from Burley-in-Wharfedale, Yorkshire, England. Different countries, different weather — unless a poem carries one landscape into the other.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Walter J. Turner: south melbourne, w.b. yeats, delphine marguerite dubuis, the hunter and other poems, romance, georgian poetry, bloomsbury, siegfried sassoon. William Watson: burley-in-wharfedale, liverpool, the prince’s quest, wordsworth’s grave, lachrymae musarum, the purple east, the year of shame, victorian poetic tradition.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Walter J. Turner: Longing, Wonder, Sorrow. William Watson: Sorrow, Longing, Despair.
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