Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Wallace Stevens stands as one of the most enigmatic and profound voices in American poetry—a philosophical poet who balanced a successful corporate career with the creation of some of the most intellectually challenging and aesthetically innovative verse of the 20th century. His poetry, characterized by its luxuriant language, philosophical depth, and preoccupation with the imagination's relationship to reality, cont…
“The poet is the priest of the invisible.”
Neighbourhood:
American Poets, Modernist Poets, Nature Poets, Symbolist Poets
Robert Louis Stevenson was born in Edinburgh on 13 November 1850, into a family whose public achievements seemed to prescribe his future long before he could choose one for himself. His father, Thomas Stevenson, was a distinguished civil engineer and designer of lighthouses, heir to a formidable Scottish professional dynasty. His mother, Margaret Isabella Balfour Stevenson, came from another prominent family; her fat…
“Nothing is so exhilarating as to be shot at without result.”
They overlapped for 16 years (1879–1894).
When Wallace Stevens was born, Robert Louis Stevenson was about 29.
Wallace Stevens was about 15 when Robert Louis Stevenson died.
About 5,390 km separate
Reading, Pennsylvania, USA from
Edinburgh, Scotland.
Different countries, different weather — unless a poem carries one landscape into the other.
Wallace Stevens:
reading, pennsylvania, harvard university, george santayana, harmonium, sunday morning, the emperor of ice-cream, thirteen ways of looking at a blackbird, the snow man.
Robert Louis Stevenson:
edinburgh, thomas stevenson, fanny van de grift osbourne, strange case of dr jekyll and mr hyde, treasure island, the sea cook, an inland voyage, travels with a donkey in the cévennes.
Poems that secretly rhyme
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.