A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Sir Edward Dyer Sir Edward Dyer

Poet B

Thomas, Lord Vaux Thomas, Lord Vaux
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 80% Poems 86% Blended 83%
Swap sides Another related pair
Sir Edward Dyer

Sir Edward Dyer

c. October 1543 – 11 May 1607 (~64)
2 live poems · English

In the glittering court of Elizabeth I, where poetry and politics danced together in an intricate ballet of ambition and artistry, few figures embodied this duality as completely as Sir Edward Dyer. Born around 1543 and dying in 1607, Dyer lived through one of the most extraordinary periods in English literary and political history, serving as both a trusted courtier to the Virgin Queen and a poet whose verses captur…

Neighbourhood: Elizabethan Poets, Love Poets, Renaissance Poets
Emotional landscape: Longing, Sorrow, Despair
Thomas, Lord Vaux

Thomas, Lord Vaux

25 April 1509 – c. October 1556 (~47)
2 live poems · English

In the grand tapestry of English Renaissance poetry, few figures occupy such a fascinating yet underexplored position as Thomas Vaux, 2nd Baron Vaux of Harrowden. Born into privilege and immersed in the turbulent court life of Henry VIII, Vaux emerged as one of the early Tudor poets whose work would bridge the medieval and modern worlds of English verse. His life, spanning the transformative years from 1509 to 1556,…

“I humbly require you to be good unto me. I have as I perceive a great many more foes than friends, and am like, your goodness reserved, to be trodden under the feet and to be made a slave.”

Neighbourhood: Death & Mortality, Elizabethan Poets, Love Poets, Medieval Poets, Renaissance Poets
Emotional landscape: Despair, Sorrow, Longing

In time

Sir Edward Dyer
Thomas, Lord Vaux
1509 1607
They overlapped for 14 years (1543–1556). When Sir Edward Dyer was born, Thomas, Lord Vaux was about 34. Sir Edward Dyer was about 13 when Thomas, Lord Vaux died.

On the map

About 175 km separate Glastonbury, Somerset, England from Harrowden, Northamptonshire, England. Both have ground in England.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

court learning

Sir Edward Dyer: somerset, elizabethan court, sir philip sidney, fulke greville, broadgates hall, oxford, pléiade movement, my mind to me a kingdom is. Thomas, Lord Vaux: northamptonshire, henry viii, catherine parr, cambridge university, cardinal thomas wolsey, francis i, knight of the bath, isle of jersey.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Fancy, Farewell
Sir Edward Dyer
80% self, death, love
Compare
The Aged Lover Renounceth Love
Thomas, Lord Vaux
The Lowest Trees Have Tops
Sir Edward Dyer
78% philosophical
Compare
No Pleasure Without Some Pain
Thomas, Lord Vaux
Fancy, Farewell
Sir Edward Dyer
77% death, suffering
Compare
No Pleasure Without Some Pain
Thomas, Lord Vaux
The Lowest Trees Have Tops
Sir Edward Dyer
75% love
Compare
The Aged Lover Renounceth Love
Thomas, Lord Vaux

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Sir Edward Dyer: Longing, Sorrow, Despair. Thomas, Lord Vaux: Despair, Sorrow, Longing.

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