A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Kahlil Gibran Kahlil Gibran

Poet B

Arthur O'Shaughnessy Arthur O'Shaughnessy
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Kindred spirits
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 67% Poems 87% Blended 76%
Swap sides Another related pair
Kahlil Gibran

Kahlil Gibran

6 January 1883 – 10 April 1931 (~48)
5 live poems · English

Kahlil Gibran, born on 6 January 1883 in the mountain town of Bsharri, in what is now northern Lebanon, and dead on 10 April 1931 in New York City, became one of the most widely read literary figures of the twentieth century. He was a poet, prose writer, essayist, painter, draftsman, cultural critic, and immigrant intellectual whose work traveled between Arabic and English, Lebanon and the United States, Christianity…

“Progress lies not in enhancing what is, but in advancing toward what will be.”

Neighbourhood: American Poets, Arabic Poets, Devotional Poets, Mystical & Spiritual Poets, Persian Mystic Poets
Emotional landscape: Spirituality, Longing, Wonder
Arthur O'Shaughnessy

Arthur O'Shaughnessy

14 March 1844 – 30 January 1881 (~37)
20 live poems · English

Arthur William Edgar O’Shaughnessy was born in London on 14 March 1844 and died there on 30 January 1881, at the age of thirty-six. His life was brief, financially constrained, and repeatedly shadowed by bereavement, yet it produced a body of verse whose finest passages have retained an unusual power. He belongs to that fertile, sometimes neglected region of Victorian poetry situated between the late Romantics, the P…

“A clerk in the Secretary's Office told me ‘it was all about my book’.”

Neighbourhood: Decadent Poets, Pre-Raphaelite Poets, Symbolist Poets, Victorian Poets
Emotional landscape: Longing, Sorrow, Despair

In time

Kahlil Gibran
Arthur O'Shaughnessy
1844 1931
Their lives did not overlap. 2 years separate the earlier death from the later birth.

On the map

About 3,473 km separate Bsharri, Lebanon from Ealing, London, England. Different countries, different weather — unless a poem carries one landscape into the other.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

music social

Kahlil Gibran: bsharri, lebanon, new york city, the prophet, arab émigré literary movement, kamila rahmeh, khalil sa‘d gibran, mary elizabeth haskell. Arthur O'Shaughnessy: victorian london, irish descent, epic of women, lays of france, dante gabriel rossetti, pre-raphaelite movement, albert günther, eleanor marston.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

On Talking
Kahlil Gibran
81% silence
Compare
Silences
Arthur O'Shaughnessy
A Tear and a Smile
Kahlil Gibran
78%
Compare
When the Rose came I loved the Rose
Arthur O'Shaughnessy
A Tear and a Smile
Kahlil Gibran
77% life
Compare
Fetters
Arthur O'Shaughnessy
On Prayer
Kahlil Gibran
76% world
Compare
Silences
Arthur O'Shaughnessy
Song of Man
Kahlil Gibran
76%
Compare
Silences
Arthur O'Shaughnessy
A Tear and a Smile
Kahlil Gibran
76%
Compare
Silences
Arthur O'Shaughnessy

The world around them

Emotional landscapes

Kahlil Gibran: Spirituality, Longing, Wonder. Arthur O'Shaughnessy: Longing, Sorrow, Despair.

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