A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Amastan Ag Mohamed Amastan Ag Mohamed

Poet B

Antoine Ó Raifteirí Antoine Ó Raifteirí
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 68% Blended 68%
Swap sides Another related pair
Amastan Ag Mohamed

Amastan Ag Mohamed

c. 1803 – 1878 (~75)
1 live poem · Tamasheq

Amastan Ag Mohamed, conventionally dated c. 1803–1878 in modern retellings, occupies an unusual and revealing place in the imaginative history of Saharan literature. He is not a historically documented nineteenth-century Tuareg poet in the ordinary biographical sense. Rather, he is a fictional figure created to give a personal face to the cultural world from which traditional Tuareg desert poetry emerges. The name, t…

Neighbourhood: Folk & Ballad Poets, Mystical & Spiritual Poets, Nature Poets, Persian Mystic Poets
Emotional landscape: Longing, Spirituality, Sorrow
Antoine Ó Raifteirí

Antoine Ó Raifteirí

c. 30 March 1779 – 25 December 1835 (~56)
2 live poems · Irish Gaelic

Antoine Ó Raifteirí, more commonly known in English as Anthony Raftery, was born around 30 March 1779 at Killedan, near Kiltimagh in County Mayo, and died on 25 December 1835 at Killeeneen, near Craughwell in County Galway. He occupies a singular place in Irish literary history: he was a blind, impoverished, itinerant poet who belonged to the living oral culture of Irish-speaking rural Ireland, yet he has also become…

“Well planed you are; the carpenter that planed you knew his trade.”

Neighbourhood: Folk & Ballad Poets, Irish Poets, Poet-Musicians
Emotional landscape: Longing, Sorrow, Despair

In time

Amastan Ag Mohamed
Antoine Ó Raifteirí
1779 1878
They overlapped for 33 years (1803–1835). When Amastan Ag Mohamed was born, Antoine Ó Raifteirí was about 24. Amastan Ag Mohamed was about 32 when Antoine Ó Raifteirí died.

On the map

About 3,613 km separate Hoggar Mountains, Algeria from Killedan, County Mayo, Ireland.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

Amastan Ag Mohamed only

Antoine Ó Raifteirí only

From the biographies

oral social memory

Amastan Ag Mohamed: saharan literature, tuareg poetry, hoggar mountains, kel ahaggar, biographical fiction, oral traditions, tamahaq language, tifinagh script. Antoine Ó Raifteirí: kiltimagh, county mayo, county galway, mary hynes, anois teacht an earraigh, cill aodáin, blind poet, itinerant poet.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

The Desert
Amastan Ag Mohamed
68% life
Compare
Mise Raifteirí an File
Antoine Ó Raifteirí
The Desert
Amastan Ag Mohamed
66%
Compare
Eibhlín a Rún
Antoine Ó Raifteirí

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Amastan Ag Mohamed: Longing, Spirituality, Sorrow. Antoine Ó Raifteirí: Longing, Sorrow, Despair.

Skip to main content