A quiet notice V2Melody closes at midnight on , Spanish time.

Closes

A note from Richard

V2Melody will close at midnight on 20 January 2028

This site has been a retirement project in musical poetry: poems chosen with care and set to music, offered freely for as long as it felt right to keep the garden open.

The work no longer holds the place it once did in my life. I have gone as far with it as I wish to go. Like a sand mandala, it was made to be completed and then released. I am not attached to its permanence, and I do not believe any of it needs to last beyond the time it was given. The poems were already here before I arrived and began to experiment with them. They will still be here when these musical experiments, and indeed myself, have been swept away, like the sand of a mandala. Nothing has been lost.

I want a simpler end to my life, days of simple love and enjoyment with my wonderful wife of 20 years. The work of maintaining a server, the monitoring, and the residual obligations that come with keeping a site alive no longer fit that life.

From 4 November 2026 I will not be adding new poems or musical poems to the site.

The experimental music I am making now is on my Suno profile. Those pieces stay there, and are not added to this site.

Until midnight on 20 January 2028, Spanish time, everything remains available exactly as it is. That is when my VPS server contract comes to an end, and it will not be renewed. After that, the server will be switched off and the site will disappear.

The Mandala Is Finished explains this more fully.

Thank you to anyone who found a poem, a track, or a quiet moment here.

The pleasure was in the making.

Richard



Compare Poets

Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.

Poet A

Thomas Tomkins Thomas Tomkins

Poet B

Andrew Marvell Andrew Marvell
Compare two related contemporaries

A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.

Strongly related
Their work already rhymes in the catalogue. The rest of this page is the story around that rhyme.
Biography 67% Poems 78% Blended 72%
Swap sides Another related pair
Thomas Tomkins

Thomas Tomkins

1572 – 9 June 1656 (~84)
2 live poems · English

In the twilight of the English Renaissance, as the sun dipped behind the hills of a vanishing golden age, there stood a solitary figure whose music shimmered with the last glow of that era’s brilliance — Thomas Tomkins, composer, organist, and quiet poet of sound. Born in 1572, in the cathedral town of St. David’s, Wales, and passing into silence in 1656, in the shadowed aftermath of civil war and Puritan upheaval, T…

“It will Facilitat the Hardness, that with ease you maye pass through the song, which otherewise will Remayne difficult”

Neighbourhood: Lute-Song Composers
Emotional landscape: Sorrow, Tenderness, Joy
Andrew Marvell

Andrew Marvell

31 March 1621 – 16 August 1678 (~57)
8 live poems · English

Andrew Marvell was born on March 31, 1621, in the small village of Winestead in the East Riding of Yorkshire, England, the son of the Reverend Andrew Marvell and Anne Pease Marvell. The family soon moved to the bustling port town of Hull when the elder Marvell was appointed lecturer at Holy Trinity Church and master of the Charterhouse, a charitable institution. Young Andrew grew up amid the sounds of the sea and the…

“I do most certainly believe that the Supream Magistrate hath some Power, but not all Power in matters of Religion.”

Neighbourhood: Cavalier Poets, Love Poets, Metaphysical Poets, Political Poets
Emotional landscape: Longing, Sorrow, Wonder

In time

Thomas Tomkins
Andrew Marvell
1572 1678
They overlapped for 36 years (1621–1656). When Andrew Marvell was born, Thomas Tomkins was about 49. Andrew Marvell was about 35 when Thomas Tomkins died.

On the map

About 409 km separate St. David's, Pembrokeshire, Wales from Winestead-in-Holderness, Yorkshire, England. Shared ground: United Kingdom.

Themes they return to

Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.

Shared

From the biographies

Thomas Tomkins: st. david's, wales, william byrd, gloucester cathedral, chapel royal, o sing unto the lord a new song, the triumphs of oriana, a sad pavan for these distracted times. Andrew Marvell: winestead, hull, trinity college, mary fairfax, upon appleton house, the garden, to his coy mistress, the mower's song.

Poems that secretly rhyme

The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.

Weep no more, thou sorry boy
Thomas Tomkins
74% love
Compare
The Fair Singer
Andrew Marvell
Weep no more, thou sorry boy
Thomas Tomkins
73% lover, love
Compare
The Unfortunate Lover
Andrew Marvell
Weep no more, thou sorry boy
Thomas Tomkins
73% love
Compare
To His Coy Mistress
Andrew Marvell
Weep no more, thou sorry boy
Thomas Tomkins
71% music
Compare
Music's Empire
Andrew Marvell
Too much I once lamented
Thomas Tomkins
70% music
Compare
Music's Empire
Andrew Marvell

The world around them

While their lives overlapped

Notable events from the years they were both alive.

Emotional landscapes

Thomas Tomkins: Sorrow, Tenderness, Joy. Andrew Marvell: Longing, Sorrow, Wonder.

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