Pick two poets who seem to have nothing to do with each other — a Gothic American and a pastoral Englishman, say — and see where the catalogue actually joins them: overlapping years, shared ground, distinctive themes, and the poems that secretly rhyme.
Adelaide Crapsey
Edna Wahlert McCourt
A random pair who overlapped in time and whose poems already rhyme in the catalogue — a way into poets you may not have met.
In the autumn of 1914, as the Great War began tearing Europe apart, a young American poet lay dying in a sanatorium in Saranac Lake, New York. Adelaide Crapsey was only thirty-six years old, and though she had published little during her lifetime, she had invented a new poetic form that would outlive her by generations. The cinquain, her creation, distilled the essence of imagist poetry into five crystalline lines, e…
“It is brief, but it has taken a long time.”
Edna Wahlert McCourt, born Edna Wahlert on 19 July 1887 and dead on 4 January 1963, belonged to a generation of American women writers whose literary lives were often sustained through friendship, little magazines, local institutions, family networks, and persistent private labor rather than through the highly visible routes to fame available to a few celebrated contemporaries. She is remembered principally as a poet…
“He put himself through all the conventional gestures; his vocabulary through every pace, from flowery oratory to good U. S. A. slang.”
About 2,585 km separate Saranac Lake, New York, USA from Denver, Colorado, USA. Shared ground: United States.
Distinctive words drawn from each poet’s critiqued poems — what they keep writing about, not just what their biographies mention.
Adelaide Crapsey: saranac lake, cinquain, imagist poetry, algernon sidney crapsey, vassar college, smith college, november night, the warning. Edna Wahlert McCourt: denver, colorado, st. louis, potter's wheel, sara teasdale, her america, the new poetry, poetry magazine.
The closest poem-to-poem matches in critique space — the sort of kinship a listener hears before the catalogue admits it.
Notable events from the years they were both alive.
Adelaide Crapsey: Sorrow, Despair, Wonder. Edna Wahlert McCourt: Wonder, Longing, Spirituality.
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